Having recently endured several sojourns into the depths of
our beloved Capital's rush hour, after months of welcome respite from such
horror, I have come to the conclusion that 'the stench of humanity' (which, in
a brief sentence, can be best summed up as a disgustingly heady waft of
excrement boiled in salted water) can only be remedied by a nosegay. Nosegays, a
popular accessory that was a bouquet of flowers and fruits since the 15th C,
have since fallen out of fashion somewhat; it is undoubtedly time for their
return. So expect them to be sold outside your local tube station by young
models of Jacob Hall and Nell Gwynn (the Chris Hemsworth and Angelina Jolie of
the 17th C) soon. I believe they will bring ease to thousands, and quite
possibly make me a pretty penny or more in the process.
Wednesday, 27 November 2013
What is 'RICH'?
http://teremity.wordpress.com/2013/10/02/21-ways-rich-people-think-differently/
There are several things that get me thinking in regards to
this article as linked above.
First, and perhaps foremost, what is 'rich'? Clearly, this
article means rich as in monetary value, and whilst I, like most, would no
doubt enjoy being free of any constraint or difficulty regarding the lack of
mineral gold in one's back account, I find it a small focus to accept that
solely as a valuation of where we stand in life. In family and friends (who are
of course adopted family) I believe I am blessed to be rich beyond hope or
imagination; and I'd happily challenge Ms.Gina Rinehart to see who is winning
on that score.
Indeed, my present circumstances see me at the most
financially low in years, yet the balance is tipped by feeling the happiest I have
done in over a decade also, so again, being rich is a matter of opinion and
feeling as much as, or even more so, than about what buck is in the pocket or the
bank.
Again, would I relish in never having to worry about money,
in travelling where I wish whenever I wish, in buying whatever I wanted and
seeing that all those I loved were, to the best of my ability, in a similar stance?
Yes. I'd be a liar to say otherwise.
But then, I don't, for one moment, see myself as 'average'
either. Whatever an 'average' person is. I am unique and unrepeatable in being
'me'. As are we all. Supposing for one moment I am average however, the quote
that "average people think money is the root of all evil" is wrong
anyway - it is that the love of money
is the root of all evil.
Nor is it that poor people think selfishness is a vice and
rich people think selfishness is a virtue. Mother Teresa famously considered
herself the most selfish of all because she gained so much from giving all that
she could.
Nor do I subscribe to Steve Siebold's (author of “How Rich
People Think”) belief that the road to riches is paved with formal education; I
do entirely believe that it comes as - he so states that only rich people do -
in acquiring specific knowledge. Should I ever become rich in monetary terms,
it will be precisely because of my unique and unrepeatable accumulation of such
specific knowledge.
And I do not believe my best days are behind me either.
Life, for me, means I have only just begun, and it is because I am following my
passion I believe this.
To take a basic overview of the World Population, and to
thus divide it between two basic categories of either 'rich or 'average', governed
entirely by a set mentality, is as simplistic and as naive an assumption of the
human race as anyone could possibly make.
Thursday, 27 June 2013
EVEN THE CROWN IS OPEN TO A CLEVER CON
Much to the chagrin of many of my friends, I will admit to
being something of a Royalist. Not completely I must add, though I'll get to
that momentarily.
Yes, it is archaic, and when one really thinks about it,
having an inherited Head of State is as completely ludicrous as it has always
been since the times of Ancient Rome, given that their personality, morals et
al are as unpredictable through birth as any such occurrence is.
However, I'm rather fond of our Queen. I can't deny that
some of that credit would have to go to Helen Mirren, much like Meryl Streep
gave a touch of genteel humanity to Thatcher
in the on-set of dementia, so one could argue that my warmth is inspired purely
by fiction as much as fact.
But I also like her for being such a constant. In this
ever-changing, seemingly ever-faster World, she is etched and stitched into the
fabric of all our years alive. As a child, to me and my family The Queen was as
much the 25th of December as Father Christmas himself was. My Grandmother 'knew'
her, thus so my Mother , and so in some small way I do too. There is, I believe,
something soothing in that continuity. For over half a century she has stood as
a through-line connecting every Prime Minister from Churchill to this day, a rarity
of which the relevance should not be dismissed.
It cannot be denied, whatever one's thoughts on the matter,
that she has undertaken her duty as Monarch with diligent dignity, grace and an
unwavering commitment that few could match or let alone surpass in a lesser
role. And though she has undoubtedly lived a life of immense privilege, one far
removed from that of the Common People, there are a countless many who have
been personally touched by but a moment of her personal focus and attention.
So for me, I'm quite patriotic in my thought of 'God Save
The Queen'.
On the flip-side, in the majority the rest of them I could
happily do without. I'm somewhat charmed by William and Harry I suppose, much
as I was beguiled by Diana, but then we live, more than ever, in an age that is
beholden to 'The Cult of Celebrity'. And there is Anne, who is truly a toff but
a hard-working one at best. But yes, the likes of Beatrice and Eugenie irk considerably,
and when we come to one such as the Princess Michael of Kent I swing closer to being
a gun-toting Revolutionary.
That particular rather loathsome jade is not, however, to be
confused with the more elegant and most 'ordinary' Katharine, Duchess of Kent,
who has in many ways forgone her 'Royal' status, including most secretly taking
up the decade-long role of a Primary School music teacher in Kingston upon Hull
known as plain Ms.Kent, along with her tireless charitable work with the likes
of UNICEF and The Samaritans; I like Katherine Kent very much.
Is it ridiculous that our taxes pay for The Queen? I won't try
to dispute that. But then the Queen herself favours a gradual shrinking of the
Civil List as she tries to trim the cost of the Royal family to satisfy public
opinion; and Charles too has long believed that the Royal Family has to be
leaner and more cost effective, although his own spending of around £15million
a year makes you wonder what he actually means by lean (the Queen is famously -
and relatively - thrifty in comparison).
Besides, our taxes also pay for every M.P. to have two homes
when most of us cannot afford one, our taxes have paid millions towards the
comfort of a hate preacher, our taxes are misused far more frequently and fundamentally
poorly than on dear old Elizabeth II, and that remains a discussion for another
day entirely. Furthermore, whilst it isn't happening fast enough (such things
rarely do) the current centuries old system of grants and Civil List funding is
being replaced by an all-in-one payment called the Sovereign Support Grant,
paid for entirely by the Crown Estate.
Yes. I'm vehemently against the aforementioned likes of toilet-lid-wearing
Beatrice and Eugenie being kept on the Civil List and similar funding, or even
having taxpayer-funded royalty protection officers, which apparently for the
most part (upon revelation it was costing us £500,000 a year) has now ceased.
So yes, things are gradually changing, with their no-doubt disgruntled playboy
dad Andrew now having to pay their rent of £30,000 a year. But for a
four-bedroom 'flat' in the area of St.James' Palace, I'd say that comes at a
snip.
Their cousins William and Harry may be required to have
protection, but then they also fulfil their military duties, whilst Peter and
Zara Phillips, though unquestionably gifted by the silver spoon, have both
built up impressive independent CVs and, significantly, neither of them have
police protection, or carry a title.
But here, today, this is where I'm cross as I catch this
evening's headline:
Duke
and Duchess of Cambridge’s refurbishments cost taxpayer £1m
This is the cost of converting the late party girl Princess
Margaret's 'Apartment 1A' at Kensington Palace ready for them and their new
born sometime in the Autumn, after the renovation and redecoration is complete. Oh, so after £1m it still isn't
finished yet? And the name 'Apartment 1A' is also a little misleading, seeing
as it consists of 57 rooms. Admittedly, it has been stated that all the
interior decorating costs are being paid for out of the Royal family’s private
income. So what has the £1m gone on then? Roof tiles, re-wiring and asbestos
clearance apparently.
Which makes me wonder, is the Royal Household that out of
touch, because they're being taken for one hell of a scam with that bill. It
smells like a dodgy contractor to me. Someone really needs to call Esther
Rantzen, Gloria Hunniford or Angela Rippon on their behalf, because clearly,
even The Crown is open to a clever con.
Friday, 5 April 2013
ELEVATIO PRO DUOBUS
I was asked to pen a review of Afternoon Tea for
Paramount in London - here it is.
Tea…is a religion of
the art of life.
- Okakura
In his long essay ‘The Book of Tea’ in
1906, Okakura Kakuzō wrote in detail about how the tea ceremony can be practised
to foster and promote harmony, discipline the mind, quiet the heart, and attain
the purity of enlightenment. Teasim he called it. Well, we are not in Japan,
and Paramount’s latest offering may not achieve all of the above, but it most
certainly makes joyous steps in that direction.
Before I begin, a little history. In
spite of its origins in the Orient, there can be few things more pleasing, or
considered more quintessentially English, than the pastime of drinking tea. It
was first made fashionable in this country during the 17th Century by Catharine
of Braganza, Queen and Consort to Charles II, who was actually Portuguese. By
the 18th Century tea gardens had became popular throughout society, whereupon
ladies and gentlemen would take their tea together outdoors (weather
permitting) surrounded by entertainers and arranging all manner of
assignations.
But ‘Afternoon Tea’ as we know it today
is generally considered to have come into being in the mid 1840’s by the hand
(or stomach perhaps) of one Anna Maria Stanhope, the 7th Duchess of Bedford;
clearly a Dame of the Empire with an appetite.
With an early light lunch then nothing
until dinner at 8.00pm (to this day still the most popular time requested by
those dining out) the Duchess complained of a “sinking feeling” by late
afternoon. And so she began the indulged small feast of tarts, cakes, scones,
and of course, pots of tea. Understandably this seemed a simply splendid idea,
the Duchess acclaimed for her forward-thinking, and so the custom swiftly
caught on. Now in the 21st Century, whilst perhaps not a daily affair, it has
nonetheless become the perfect genteel luxury to indulge in with delight, all
cares and woes thrown to the wind.
At last then it has arrived here, at
the very pinnacle of the capital, to be supped and savoured at leisure against
the backdrop of that unparalleled panorama. To be enjoyed with or without a
glass of champagne (for me such an occasion rightly deserves the salute of
bubbles), Paramount presents this wonder in all its glory. We chinked our
glasses and saluted the day.
Your chosen brew is conjured before you
into clear pots (which only added to the delight of my companion’s selection as
we watched the Flowering Osmanthus unfurl its sweet blossoms). Myself, I’ve
always felt the comfort in the smokiness of Lapsang, as if I’m retiring in my
study, and this was poured for us into the crystal cups (with no handle, in a
twist on the traditional Chinese style, a modern vacuum design making it cool
to the touch), with the advised note of not allowing it to steep for too long
else the taste become overbearing with liquorice intensity.
Then to the bites, a feast most certainly!
Beautifully laid out for our eyes to dance upon were all manner of treats,
graciously laid so temptingly vibrant in contrast to the tiered tray of ebony
slate. Open savouries such as generous Smoked Salmon & Fromage Blanc on Rye
Pumpernickel, and Egg elevated with Mustard Mayonnaise upon Toasted Brioche, to
name but two, no needing of playful fight over in their plenty, and punctuated
with a quiche that practically melted upon command. I would have been quite
sated here, but… okay, we were most satisfied certainly, but the sweeter half
of what was ours would be the proof of those appetites truly sated.
A ballet of sweet and bitter chocolate,
Crème de Violet Macarons, as fine no doubt as those made for Catherine
de’Medici by her Italian pastry chefs in the 1530′s, tangs of fruit softened
with silken soufflé… they seemed unending, yet just, JUST, allowed room for
warm bite-size scones with the perfect jam and obligatory decadent cream.
We sat back, marvelling at what we had
eaten and with the ever-changing skyscape that cannot be beaten our constant
companion, wondering for a moment if perhaps the cranes over the Crossrail site
would have to be called into action to send us on our way.
Paramount had done themselves, and the
7th Duchess of Bedford, most proud; to the point we both skipped dinner at 8.
So to paraphrase one T’ien Yiheng when
he spoke of tea, climb to the peak, sup for a few hours and just “forget the din of the world.”
Friday, 15 March 2013
LET THE MUSIC SPEAK
For me, there can
be little more inspiring than being asked to write something for someone,
whatever that might be. A letter, a biog, review... anything (to me the
conjuring of words is like a painter daubing canvas). It often serves as a
self-educator too as one delves into the subject. I recently received the
honour of doing so for that maestro of music Tom Glide, towards his latest
(blindingly brilliant) release 'SWEET HEAVEN' featuring the great Timmy Thomas.
It was a joy and a privilege to undertake (always good when the request is
well-received), and here it is.
TOM GLIDE - 'SWEET HEAVEN'.
An accomplished producer, composer, musician and
singer in his own right (he’d taught himself to play guitar, drums, bass and
keyboards by the age of 10), Tom Glide has become a name synonymous with the
masterful musicianship of uplifting groove, and his new release, featuring
vocals from the legendary Timmy Thomas, is set to further seal his stance as a
maestro at the top of his game.
This latest release follows on from the highly
acclaimed ‘In the Name of Luv: Tom Glide and the Luv All Stars’, his sublime 11-track smash collection of funk and soul infused tunes
that, with soaring horns and accomplished vocals et al so beautifully bridges
the old school with the new. Featuring some of the best artists in their field,
whose collective credits, aside from their own, range from Michael Jackson,
Marvin Gaye and George Duke to Earth, Wind & Fire and the Rolling Stones,
to name but a few, this album, the culmination of a long-held dream, holds up
the vision of, in Tom’s own words “music that erases the distance between
the past and the present, and looks ahead to the future; a universal
celebration of togetherness, brotherhood and love”.
The ‘All Stars’ saw collaboration with luminaries
including keyboardist Larry Dunn, bassist Alex Al, drummer James Gadson and the
acclaimed trumpeter Rahmlee Michael Davis (Jackie Wilson, Michael Jackson, B.B.
King, Donny Hathaway, Minnie Riperton… the list of that particular pedigree goes
on). The latter, Tom says, was “…one of the most beautiful musical experiences of my musician's life. I
learned a lot about music, human relationships and humility. His unique art to
construct voicing as foundations inside my songs or how to distribute notes like
characters in the cinema, or measuring ingredients as in fine cooking, and
gastronomy - to have the perfect taste or colour. Learning this art has been like a revelation for me.”
It is a revelation that abounds in telling, shown
not only in how Tom brings so many top talents of all ages together, but on
with the tunes they create, ones that stand solid as new classics. So with this
latest release Tom is set to continue in furthering his vision of bringing real
musicianship into the lounge, the bedroom and upon a truly uplifting
dance-floor to the fore.
With some four decades in the music business Timmy
Thomas has given us golden gems like ‘Why Can't We Live Together’ (1972), with
its memorable stripped-down production of Hammond organ and percussion to his
soulful vocal, along with classics under the T.K.Disco label such as ‘Stone To
The Bone’ and much more besides, seeing him consistently topping the R&B
charts. Here now then, under the umbrella of Tom’s ‘All Stars’, another hit is
assured. With remixes from the likes of the equally prolific talents of UK
producers Matt Early and 12 Shades, along with some stunning keyboards by JD
73, this March release of ‘Sweet Heaven’, is another vibrant step in
the on-going march of Tom Glide and company, here with Markus Kater and Stephen
Tucker in Miami (the two guys who made the connection with Timmy Thomas happen)
and supervised in studio by the acclaimed American bassist, songwriter and
producer George “Chocolate” Perry.
The train shows no sign of stopping either, as this
will lead on to yet another release in May, before the planned launch of a
second album towards the end of the year.
And after his hugely successful 2012 UK tour ‘Soul
On The Road’ together with Cool Million, Gary Poole and Westcoast Soulstars,
along with vocalists like Laura Jackson and Tim Owens, as well as being on the
road in Germany, France, Japan and the US West Coast, Tom is also getting
focused on a second tour in the UK: “I’m hoping to bring a full horns
section on stage, to make the full circus happen.”
As Berthold Auerbach once put it: “Music
washes away from the soul the dust of everyday life.” Tom and his unrivalled collective don’t just wash the dust away,
they buff the soul to the highest gleam. In his own words: “We pray
we’ve created music to uplift people; to bring people closer together.” One listen and that becomes undeniably true.
Giles Addison – March 2013
Wednesday, 13 March 2013
A HOUSE IN ORDER
They’re
currently electing a new Pope.
So
I looked at some facts.
According
to Avro Manhattan, in his book: ‘The Vatican Billions’, The Vatican has “…large investments with the Rothschilds,
with the Hambros Bank and Credit Suisse. In the United States it has large
investments with the Morgan Bank, the Chase-Manhattan Bank, and the First
National Bank of New York to name but a few. Billions of shares are held in the
most powerful international corporations such as Gulf Oil, Shell, and General
Motors; in fact the wealth of the Vatican in the U.S. alone is greater than
that of the five wealthiest giant corporations put together…
…The Vatican's treasure
of solid gold has been estimated by the United Nations World Magazine to amount
to several billion dollars. A large bulk of this is stored in gold ingots with
the U.S. Federal Reserve Bank, while banks in England and Switzerland hold the
rest. That doesn’t include all the art, real estate, property, stocks and
shares it holds.”
Let
us not forget that the Catholicism became the official religion of the Roman
Empire in 313 A.D., since when its power has been in near-constant growth. For
more than a thousand years, tithes and tributes flowed in from all over Europe.
Non-Christians and even fellow Christians were killed and their property
confiscated.
The
Roman Catholic Church is now a greater possessor of material riches than any
other single institution, corporation, bank, giant trust, government or state
of the whole globe. The Pope therefore, as the visible ruler of this immense
wealth, is consequently the richest individual of the twenty-first century. I
know, much like our Queen, he doesn't exactly own it, but nonetheless, he could
alter its distribution.
In
the last few years more than $2 Billion dollars has been paid out as
settlements by the church for sex-abuse allegations in the United States alone.
Less than a tenth of its current wealth is ever used on humanitarian projects
such as disaster relief, medical aid, and help to the poor in developing
nations, children and refugees.
Funnily
enough, the Catholic Church considers the “excessive
accumulation of wealth by a few” to be a mortal sin. And yet half the world's population starve.
Long
live The Pope!
Monday, 14 January 2013
Oh.. Fashion. I'll be in fashion, when I'm done.
My latest piece for To Be
Continued.
As a man who knows little of haute couture… A term originating from the French, meaning: "high sewing". That is the funny thing about language – to the English language 'haute couture' sounds expensive, glamorous, other-wordly; whereas the term 'high sewing' to me conjures up an image of a woman called Pam knitting argyle mittens on a ladder, or else a chap called Keith frantically botching a home-made oven glove for his Aunt Eileen whilst having a spliff…
I digress… Again, as a man who knows little of haute couture, I have to admit I find it admirable I can so digest an exhibition such as this (or my earlier issue on the V&A Ballgowns) when actually I know nothing betwixt a flounce and a godet.
"Review, don't critique" I long remember. After all, what is a critic but one voice believing themselves to be an arbiter of taste, and who can truly claim to be an authority on that? Yes, my taste is impeccable surely (my taste in friends proves that), but it is not a benchmark by which others should adhere, or feel they must follow. In life, as in everything, “make it your own”.
For example, I love coffee, one lump or poo, but even if I was the biggest euromillions winner ever I’d not pay £30 a cup for one made using beans digested and then picked from the dung of elephants. (True: called ‘Black Ivory’ and produced at £685 per kilo).
Anyway… here is my Valentino piece. :-)
As a man who knows little of haute couture… A term originating from the French, meaning: "high sewing". That is the funny thing about language – to the English language 'haute couture' sounds expensive, glamorous, other-wordly; whereas the term 'high sewing' to me conjures up an image of a woman called Pam knitting argyle mittens on a ladder, or else a chap called Keith frantically botching a home-made oven glove for his Aunt Eileen whilst having a spliff…
I digress… Again, as a man who knows little of haute couture, I have to admit I find it admirable I can so digest an exhibition such as this (or my earlier issue on the V&A Ballgowns) when actually I know nothing betwixt a flounce and a godet.
"Review, don't critique" I long remember. After all, what is a critic but one voice believing themselves to be an arbiter of taste, and who can truly claim to be an authority on that? Yes, my taste is impeccable surely (my taste in friends proves that), but it is not a benchmark by which others should adhere, or feel they must follow. In life, as in everything, “make it your own”.
For example, I love coffee, one lump or poo, but even if I was the biggest euromillions winner ever I’d not pay £30 a cup for one made using beans digested and then picked from the dung of elephants. (True: called ‘Black Ivory’ and produced at £685 per kilo).
Anyway… here is my Valentino piece. :-)
http://www.tbcmagazine.com/?p=3129
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